

The singular blues-based melodies the harsh, vocalized sounds of his trumpeter, Bubber Miley (who used a plunger mute) and the sonorities of the distinctive trombonist Joe (“Tricky Sam”) Nanton (who played muted “growl” sounds) all influenced Ellington’s early “jungle style,” as seen in such masterpieces as “East St.

Later that year he moved there and, in Broadway nightclubs, led a sextet that grew in time into a 10-piece ensemble.

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